About.Deep Currents Collective is an international research and advocacy network of academics, lawyers, artists, and activists that promotes cultural participation in ocean and seabed governance. We envision international governance regimes that will engage the ocean and deep seabed together as an intrinsically relational world–one which humans and nonhumans alike depend for their physical and cultural wellbeing. Our Collective recognises the need for cultural and historical contexts in collective decision-making, open science, and transparent lawmaking. We emphasize the need for a fundamentally transdisciplinary approach to determining the future of the common heritage of all-kind.
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Our Team
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Dr Giulia Champion
Giulia Champion is a Lecturer in Critical Ocean Studies at the University of Southampton, UK. Her current research project, The Political Construction of the Seabed, investigates how the seabed is made and re-made in legal, financial, scientific, infrastructural and cultural documents and interventions as part of the creation of a regulatory framework for deep-sea mining, with a focus on the International Seabed Authority (ISA). Giulia co-runs the Ocean Justice Special Interest Group funded by the Southampton Marine and Maritime Institute. She has engaged with international and national policy on issues relating to ocean extraction and pollution, and by working closely with coastal and local communities. In 2022, she was a Green Transition Fellow at the Greenhouse at the University of Stavanger and in 2021-2022, a collaborator on the Ecological Reparation Project. She has volunteered for the International Commission of the History of Oceanography and is currently an Associate Editor for the transdisciplinary journal Environmental Humanities. Alejandro Limpo González
Alejandro Limpo González is a Spanish anthropologist exploring the media politics of ocean sensing. His research brings together media studies, environmental humanities, and Science and Technology Studies. He has investigated how platform-based forms of knowledge shape concepts of ocean space across science, policy, and business. He obtained his PhD at the Winchester School of Art, University of Southampton (UK), in 2026 as part of the Intelligent Oceans research programme. He is also a member of the Intersessional Working Group on Underwater Cultural Heritage of the International Seabed Authority. Publications include: “Haunted Wire / Haunter Mineral,” Video Art (8 min, double screen), Ocean Matters Studio (Alejandro Limpo and Lilly Mc Craith). Commissioned by the Structures of Haunting workshop at the 38th edition of transmediale festival, (near) near but — far, Berlin, 2025; Limpo, Alejandro et al. “Fluid states of matter and meaning. Anarchiving the Oceanic.” Holotipus Journal. Special Issue Archiving the Anthropocene: New Taxonomies Between Art and Science, edited by Cristina Baldacci & Emiliano Guaraldo, 2024; “Ocean Sensing: Anthropological Reflections on a Field Trip to Studland Bay Marine Conservation Zone (MCZ).” Southampton Marine and Maritime Institute Blog, 2023; “Material Culture.” In the Glossary of Philosophy of Technology, edited by Agustin Berti, Diego Parente, and Claudio Celis. Buenos Aires: Editorial La Cebra, 2022; Surface tension. Clouds, waves, noise and other medial figures of maritime surveillance. kult-ur, 10 (20). |
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